NaPoWriMo, Day 22. The prompt:
Today, I’d like to challenge you to write a poem that engages with another art form – it might be about a friend of yours who paints or sculpts, your high school struggles with learning to play the French horn, or a wonderful painting, film, or piece of music you’ve experienced – anything is in bounds here, so long as it uses the poem to express something about another form of art.
While I did struggle with French horn in high school, stained glass is much more fun. And so I give you:
Seasons in Glass
I.
It is Summer.
The trees are full of leaf chips:
green and yellow with black stringer twigs.
I haven’t done glass work in ages.
I will do straight lines.
Lots of straight lines. And lead,
not copper foil. Foil is harder to do.
Birds come to mind.
I don’t really know why.
I spread my wings and begin cutting glass.
II.
It is Autumn.
The leaf chips have turned gold and burnt orange,
and a deeper shade of yellow.
They are falling.
The birds chatter amongst themselves.
Is it time to head south?
It’s getting colder. They hold their wings close in
to their weightless bodies.
I turn the heater on in my studio.
III.
It is Winter.
White snow, blue ice.
This pattern is no longer in production;
the birds need to be larger.
Two fat cardinals land on bare branches and
consult with a larger bird, whose tail feathers
splay a bit to accommodate
smaller pieces of background.
I love the dark red of the cardinals;
a smooth rolled glass that cuts like butter.
IV.
It is Spring.
Leaves are returning.
Delicate lavender flowers
buzz with the breeze of bee wings.
It is time for building nests,
laying eggs,
feeding hatchlings.
How does one differentiate
a worm from a slender tree branch?
I will allow curves this time.
After three seasons,
I think I’m ready.
Beautiful glass work and word work. 🙂
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🙂 Thank you!
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Gorgeous art and wording. ❤ I noticed the green patterns on the glass in the last image. I suppose you did that first, before adding the birds? Or do you get the glass already patterned like this?
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On all the backgrounds, those are actual glass chips rolled into the clear glass before it cools from the furnace. The thin squiggly lines are from “stringers,” or thin glass rods that are melted into the glass in the same manner. That is all done at the factory. 🙂
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