
play all the octaves
highs and lows create the score
melodies of life

play all the octaves
highs and lows create the score
melodies of life
tear gas, shattered glass;
bloodshed, no shred of honor.
Winter in my soul.

I’m going to build a solid house, Good bones to frame it straight and true Upon which fasten seasoned boards The outside elements to subdue. It shan’t be graced with gingerbread that merely mildews in the rain, or gargoyles leering overhead evincing darkness and disdain. A simple plan as fits my taste, I aim to please no one but me. One needn’t look for blemishes. I’ll know they’re there; I’ll let them be. My house will stand the tests of time Clean lines that age but loathe to stray, With understated grace and strength to see me through my final days.
Today’s dVerse poetry prompt, as posed by sarahsouthwest: “I’d like you to look back over the last year and choose a poem that calls to you, and write a response to that.”
I chose a poem by Elizabeth Crawford Yates, a local poet who published in the 1950s. Her poem, “To a Time-Grayed House,” struck me in that she ascribes the aging process with “dread and wistfulness.” As I celebrate my 60th year on this planet, I don’t dread growing old nor do I pine for those long-lost days of youth. I do want to age gracefully though, and maintain my health as best I can. And so, the poem above was my response to this:
TO A TIME-GRAYED HOUSE Though you may stare with dread and wistfulness At youthful cottage and its sleek white dress, Remember this. Too soon, that one may be A peeling thing, with shaken masonry. Elizabeth Crawford Yates from her book Wind Carvings (copyright 1953)

The idea of the new landscape undertaking was to plant only native species and ultimately do away with all conventional lawn surrounding my house. I began with my side yard, covering the grass and weeds with cardboard and spreading layers of wood chips over that. The scrawny “twigs” of bare root shrub and tree plantings I obtained from the soil and water conservation district barely looked alive. By the time I finished prepping and planting, my side yard resembled a miniature clear cut logging site. Not auspicious.
As the year progressed, some plants grew and blossomed, some appeared to die down and later surprised me with renewed growth, and some just flat out died. A work in progress, for sure, but it’s always fascinating to step around the corner of my house and see how my project is unfolding.
Can nature restore what my predecessors spent centuries grooming to our vain human whims? And will my tenth of an acre make a difference in the grand scheme of wildlife preservation? I don’t know, but… it’s a beginning.
bare root crab apple first autumn foliage drops mere inches to ground

Beware of snakes
selling snake oil,
especially
if you
frequent
the same dens.

I sit to center.
First realization: I
cannot discern plumb.

sights – set high – blown off
cours(ing) through air – a virus
strain(s) humanity

autumn dusk falls fast
last the viewer now the viewed
time to draw the shades

smoke-laced crisp fall fog
like aftertastes of apple
when the half-worm shows
Justice is blind, though
inherently judgmental.
My verdict awaits.
COVID culls with dispassion
guilty and guileless alike.
dVerse MTB: Jisei (Japanese Death Poems)