Driving in Reverse

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NaPoWriMo Challenge, Day 18. The prompt “sounds a bit more complicated than it is, so bear with me! First, find a poem in a book or magazine (ideally one you are not familiar with)… [C]over everything but the last line. Now write a line of your own that completes the thought of that single line you can see, or otherwise responds to it. Now… uncover the second-to-last line of your source poem, and write the second line of your new poem to complete/respond to this second-to-last line. Keep going, uncovering and writing, until you get to the first line of your source poem, which you will complete/respond to as the last line of your new poem. It might not be a finished draft, but hopefully it at least contains the seeds of one.”

Well, it wasn’t hard to find a poem I’m not familiar with, as I’m not much of a literary reader. When I came across a poem written by Sheryl Luna and titled, “Neighbors Smoke on an Apartment Porch Owned by a Mental Health Agency,” I knew that would be perfect for this challenge. You can follow the link to read that poem.

Here’s my reverse response. I guess I’ll call it Mental Faculties.

Waiting their chance to bloom,
strength belied by failing light,
old habits won’t die today.

Rheumy eyes remove the hues.
Calm comes with slowing down.

Peeling bark, in rough contrast,
remember they once blossomed, too.

Come in to the sobering shade,
rise and heal thy pain.

It’s all relative, so we’re told
a tale of plums and prunes.

Wishing never leads the charge,
sinners peddling soulless fates.

Free to fly once weight-relieved,
yesterday’s work, today’s debris,

smoothed as with a butter knife,
carried high on joyful wings.

What’s left from those who sow and reap —
saying so won’t make it true —

forestalls, refusing to leave.
Stalwart nature, man-made trees,
far from home yet searching still,

if only one could hear.

They care more than one might think
of being heroes or villains.

Do-overs can set them free,
enlightened by the truth.

 

couch

De-Composing

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NaPoWriMo Challenge, Day 19 (still catching up): An erasure poem as described by poet Dan Brady.

“First, write a paragraph of prose about anything you want. Next scan through the text and try to erase it down to a single sentence or phrase. The erased text becomes your first page and the full prose paragraph becomes your last page. Now see if you can add bit by bit to create a sequence that builds across several pages/iterations between the initial phrase to the complete text.”

erasure poem

rosemary3

All in the Timing

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You don’t think we can, do you?

I know it can’t be done…

I’ll prove I’m right, I’ll prove you wrong.

… by you or anyone.

 

Right down that row, that’s where we’ll go.

In here, it’s called a lane.

Set up the pins, we’ll knock ‘em down.

 You’re really quite insane.

 

You pull Grandpa by the head

and mind his face, I know.

I’ll grab his legs and give a push.

Just take it nice and slow.

 

Steer clear the gutters ‘til the end.

That’s what my daddy said.

Dead center for a hole-in-one.

A “strike.” But yes, Dad’s dead.

 

They all fell down, we’ve won the round.

And Grandpa’s in the pit.

One problem, though, that’s only ten.

Well, just you wait a bit.

 

Pins swept away, news ones in play…

The gears are grinding slow.

And Grandpa clock is smashed to bits.

It’s really quite a show!

 

His casing’s cracked, his springs have sprung!

His hands are in the air.

He’s hit three pins in the lane next door.

I think he bowled a spare!

 

And there it is, just like I said!

It couldn’t be foreseen.

Grandfather clock will strike no more…

… but he did once strike thirteen.

NaPoWriMo challenge, Day 22: Take [a] statement of something impossible, and then write a poem in which the impossible thing happens. “The clock can’t strike thirteen.” 

Unpremeditated

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shoe lace

I’m trying to catch up in the National Poetry Writing Month challenge. Here’s NaPoWriMo Challenge, Day 20: “Write a poem that involves rebellion in some way.” One suggested approach was to write the poem in a way that rebels against your usual writing style. I tend to want my poems to make sense, to convey a message. Even if it’s a silly poem, I want there to be a point to it. With today’s poem, I wrote with a stream-of-consciousness pace, without concerning myself with whether it was sensical.  Unedited, except for typos. 

As an experiment, it was interesting. As a poem… meh. 

cold as flame.
you said it didn’t matter, and yet
it did.

I can’t thank you enough for
the freedom you gave me.
Or at least loaned me.
Haha.

A hollow laugh. Why do we do that?
If you come for me, I won’t go.
I may follow, but
would you even lead?

These are the rules:
Always make sense.
Always second guess.
Always review and rework until perfection is attained.

Even though there is no such thing.
Even though by massaging everything,
you probably make it worse.

Overworked.
That’s what I am.
Are you?

Does this make sense?
Does anything?
Make sense, that is.

And of course, that perennial question:
does everything – or anything –
need to make sense?

Senseless.
That’s what I am.
Always wanting to be in control.
Or not. I just wish for once
I knew the rules,
so I could
break them.

Narcissus

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jonquil

“I never did like Narcissus,” he says,
though I hadn’t asked for his opinion.

“Narcissus? Why not?” I ask.

“It is such a presumptuous flower,
So simple – banal really –
yet it pops up first thing in the spring
as though the world has been awaiting it
all winter.”

“All winter? Perhaps so,” I say.
“It is so beautiful and colorful
and a refreshing change from the ugly winter snow.”

“You know what I think?” he asks.
I don’t know, and I don’t ask.
He tells me anyway.

“I think these narcissus flowers bloom early
just so they can admire their reflections in the melting snow.”

“The melting snow,” I say. “I don’t care. I love them.”
I reach down to pick one of the flowers,
but it won’t come loose of the plant.
I pull harder. It still refuses to budge.

“See that?” he says.
“Narcissus won’t even let go of a bloom.
He wants to keep all the beauty for himself.”

“For himself…” I muse.
I begin to feel faint.
I feel as though I am disappearing.

“Going somewhere?” he asks.

“Going somewhere. Yes… somewhere… somewhere…”

“Say, I didn’t catch your name,” he calls after me.

“Name? Echo. Echo. Echo.”

“Nice talking with you, Echo.
My name is Nemesis.”

Nemesis. Nemesis. Nemesis.

NaPoWriMo challenge, Day 21: Write a poem that plays with the myth of Narcissus in some way. 

Mishmash

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balance 4

Eat not, you’ll never want for less.
The next worst thing could be the best.
Heed not and you will find the hidden.
Spare the rod, the child has bidden.

Break some rules to mend the rest.
Let the sun rise from the west.
Speak not, others will pause to listen.
Smash the boat, champagne to christen.

If lies be told, pay heed to rumor.
I found my mind and sensed some humor.
The dead of night awoke the living,
so these sage words I’m thymely giving.

NaPoWriMo, Day 13: Write a poem in which the words or meaning of a familiar phrase get up-ended. 

moving mountains

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mountain 2

Some days the mountain sparkles in the sun with its snow-covered slopes. At other times it is invisible behind clouds and fog and – sadly – smog. But it’s always there, always a touchstone when crossing the bridge that takes me from my town in to the bigger city. Another mountain, easily distinguished by its volcanic rounded top, is more of a surprise when it appears, as I can’t seem to remember where to find it. Does it move across the landscape when I’m not looking? I have to keep my eyes on the road at least part of the time, and it would be easily missed. A third mountain is even wilier, and sometimes I mistake it for the first. Perhaps I need to concentrate more to get my bearings. Or maybe it’s just hard to see the mountains for the molehills.

branches in the wind
go to ground in my garden
dog hunts scent of birds

NaPoWriMo Challenge, Day 12: Write a haibun that takes in the natural landscape of the place you live. 

Last Chapter

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identity1

If I were to write my memoirs,
the title would be “Reaching.”
The chapter headings:
How Far
How High
How Pretty
How Wealthy
How Meaningful
How Memorable

Maybe not in that order,
but probably so.

There would be a Foreword to explain
I’m not competitive (even against myself),
nor am I status-conscious, greedy or an overachiever.
Well, maybe just a little of all that.
It’s not about aspirations, goals, achievements…
just… reaching.

A reaching born perhaps of the low-key work ethic instilled by my parents.
(is that an oxymoron, “low-key work ethic?”)
Like this:
If you take one step, you might as well take two.
If you’re an apprentice, you might as well become a journeyman.
Once you’re a journeyman, you might as well aim for foreman.

There might as well be a chapter in my memoirs called “Might as Well.”

My memoirs would describe how I progressed through life in this mindset.
And how one day it flipped.
If I lost a step in my journey, I would likely fall back two steps.
If I missed a rung in my ascent, soon thereafter
I’d likely land on my butt at the bottom of the ladder.

And so it was.
Until finally I just stopped.
No up, no down.
Just full stop.

◊ ◊ ◊

Two summers ago I took up whittling.
I sit on my deck on warm afternoons
in the shade of a lopsided black walnut tree.
Opportunistic squirrels steal green nuts from the branches above me.
I place a glass of water or sun tea next to my chair,
and I whittle.

I don’t whittle to carve shapes into wood,
or to carve wood into shapes.
It’s just relaxing to take a sharp knife and a found piece of wood,
and shave away layers until I’ve reached… no, not reached…
until I know I am done.

Maybe this is the perfect last chapter for my memoirs.
I will call the chapter “Whittling,”
and I’ll describe my practice of peeling back layers
to see what’s beneath.
Not like some deep introspection, where I
lay bare the depths of my soul to reveal all the
rot and grisly scars.

Much simpler (and much more interesting) than that;
kind of like a low-key work ethic.

I just whittle
on found wood,
one shaving at a time
to discover the layers
of life,
of nature,
of squirrels,
of being in this world
on my deck on a summer afternoon.

finished

In response to the NaPoWriMo prompt: What does y(our) future provide? What is your future state of mind? Seems I had to go to the past to get to the future. 

RE: Journeyman/Foreman: my parents were of a non-gender neutral generation, but they never discouraged my career choices based on gender.