Persona

I can read  minds, you know, and it’s not always pleasant. 
Like right now, you’re showing interest and kind of nodding along like you totally buy into what I’m telling you, because
that’s the persona you want to project: openmindedness.
But what you’re really thinking is that my purported ability to
read minds is totally bonkers, and I must be, too.

We all have personas that we try to sell.
Intellectual, confident, bad ass, honest and open…
Yep, that last one is a projection, too. I mean, maybe you are
honest and open. I’m not saying you aren’t.
But you also want to be seen as honest and open,
because that’s your persona.

So here’s the problem with reading minds:
I can read who you are, who you think you are,
who you think other people think you are,
who you wish you were, who you wish others would think you were…
That's a lot of reading, and -- as I said -- not so pleasant.

So, what about me? Who am I? Who do I think I am?
Who do other people think I am? Besides bonkers, that is.
I really haven’t a clue. What do you think I am, a mind reader?

It’s National Poetry Writing Month (NaPoWriMo)!

Day Six prompt from NaPoWriMo.net: In your poem today, try writing with a breezy, conversational tone, while including at least one thing that could only happen in a dream.

The Odious Ode

To think that something so revered
could set my teeth to grinding gears,
one only needs to ken
I hate to structures bend.

Too oft I fail to recollect
the rules an ode dost interject.
I’m simply left to guess
and strive to do my best.

I’m sure this poem proves my case
though I confess 'twas penned in haste;
the ode – no friend to me –
remains a mystery.

It’s National Poetry Writing Month (NaPoWriMo)!

Day Five prompt from NaPoWriMo.net: write a poem in which you talk about disliking something – particularly something utterly innocuous, like clover. Be over the top! Be a bit silly and overdramatic.

Horizontal Rain

It blusters, it billows,
the rain comes in droves.
It's typical winter
on the north Oregon coast.

No point in umbrellas,
The wind is a beast;
shreds the cloth with its talons,
snaps the ribs in its teeth.

The rain hits you sideways
soaking deep to the skin,
but springtime comes swiftly
to atone winter's sins.

Now the rain’s slightly warmer
when it slaps at your face.
Umbrellas still useless
as the winds keep their pace.

You can spot season’s changes:
birds perched high lest they drown,
and the newly sprung flowers
soon blown flat to the ground.

It blusters, it billows,
the rain comes in droves.
It's a typical spring day
on the north Oregon coast.

It’s National Poetry Writing Month (NaPoWriMo)!

Day Four prompt from NaPoWriMo.net: craft [a] short poem that involves a weather phenomenon and some aspect of the season. Try using rhyme and keeping your lines of roughly even length.

Stat


He listens carefully to the recounting of symptoms,
performs some preliminary tests,
and they discuss options for treatment.

A clean cloth is laid out at his side, with a
tidy row of tools he will use to
perform the operation

He selects the appropriate instruments,
and sets to work.
Prep, syphon, excavate the offending material,
rinse, close, seal.

“All done,” he says, washing up at the sink
with anti-microbial soap.
“I fixed the leak, cleared out the s-trap,
and replaced some worn washers.
Your toilet should work fine now.”

“Oh, thanks, man,” says the homeowner to the plumber.
“You saved my life.”

It’s National Poetry Writing Month (NaPoWriMo)!

Day Three prompt from NaPoWriMo.net: Today, we challenge you to write a poem in which a profession or vocation is described differently than it typically is considered to be. 

The Art Lesson

The canvas panel lays before me, blank and pristine.
Or almost pristine. Scuff marked and yellow tinged;
it's been sitting around for a while.

A horizontal penciled line, not quite centered.
Top portion is the sky.
Paint it blue, I’m told.

But skies aren’t out-of-the-tube blue on flat canvas.
They’re deep, dappled with clouds sometimes,
softened by invisible breezes at other times.
Troubled by storms,
subdued by dawn’s tentative tendrils.
That all comes later, I’m told.

I dab at the blue mound on waxed paper.
Oil or acrylic, I don’t recall.

Mom sits nearby, chatting with her friend
who is -- ostensibly -- here to teach me art.
They gossip – well, the friend does.
Mom listens, jokes, commiserates. Passes judgment.

A large book lies open on the table,
showing step-by-step how to recreate the painting:
an old barn on a rutted dirt road alongside a
generic, leafless tree.

Sketch the outlines as illustrated, I'm told.
I don’t want to.
This is someone else's painting, not mine.
I don’t know what the barn has seen,
what the tree has felt.

Who traversed the road to carve the ruts,
Where were they headed?
What did they find upon arrival?

I put lines on the canvas with a #2 pencil.
That’s enough for tonight, I’m told.
My mom and her friend barely glance at my work,
make vague plans for a return visit.
The friend leaves.

The half-blue, scuffed canvas sits on the floor
in a dark corner of my bedroom closet.
For years.

When I am forty, I paint skunk cabbage.



It’s National Poetry Writing Month (NaPoWriMo)!

Day Two prompt from NaPoWriMo.net: “write [a] poem in which you recount a childhood memory. Try to incorporate a sense of how that experience indicated to you, even then, something about the person you’d grow up to be.”