flame mirrored in wax softens dark, long evenings holds vigil with me




The Daily Post weekly photo challenge: It’s Not This Time of Year Without…
flame mirrored in wax softens dark, long evenings holds vigil with me




The Daily Post weekly photo challenge: It’s Not This Time of Year Without…
which came first,
the clouds dropping water
upon the ground,

or the ground water evaporating
into clouds?

did it start out as a fog,
neither of the clouds
nor of the ground?

perhaps it began as ice…

or frost…

however the magic began,
I am glad
for the way it dances

and quenches our thirst for life.

The Daily Post weekly photo challenge: Magic

rooted in chaos ordered with complexity nature’s enigma
The Daily Press Weekly photo challenge:
Chaos

The Daily Post weekly photo challenge topic this week is Shine.
The challenge as posed:
Has something bright or reflective caught your eye in the moment? Share a photo of something you were able to explore a bit!
When I was considering what “shiny” things I had seen lately, I remembered the creek where I had hiked a couple of weeks ago. I looked through the photos I had taken that day. Even though it was a cloudy morning, the light of day reflected off the water as it rippled over the smooth rocks of the river bed, creating a shiny ribbon that rolled past me and disappeared into the lush greenery crowding its banks.

But I kept reviewing photos and came across a set that I took just two days ago, but had not really given any thought to after loading them onto my laptop. I had arrived at an appointment early, and rather than sit in the office waiting room, I walked down the second floor hallway to where I could see light coming in through a window.
Through the window was a view of a rain gutter attached to a first floor roof overhang. Leaves had blocked some of the rainwater from flowing into the downspouts, and it made a shiny thin line reflecting the (once again) cloudy sky. Of course I took a photo.

When I turned away from the window, I saw a drinking fountain with two brass and steel basins reflected off a mirrored back splash. Shiny indeed! And of course I took photos.

That is, until I saw a woman watching me through a nearby office door. Her expression was that of someone about to call security to report a loiterer taking random photos of plumbing fixtures. Not shiny at all. I retreated down the hallway to my designated office waiting room.
I wish more things in my life were shiny. My car… my windows… I should probably stop photographing rain gutters and do something about that. Maybe on the next sunshiny day. Around here, that pretty much gives me until July to get it done.

The theme for The Daily Post’s photo challenge this week is Local. In the related post, Jen H writes:
“Home” is… a place that is familiar and comforting, and it gives us a sense of belonging. Home is what and who is local — the places and people we know by heart.
While I’ve resided in other places since then, my home town is what came to mind when I read the post for this week’s challenge. I grew up in a small town near Astoria, Oregon, and lived in the same house for 18 years until I went off to college. While not all of my memories of those years are pleasant and “comforting,” there was certainly continuity.
We knew the townsfolk. We knew their names and their lineage. We knew their histories, and we knew their secrets – that weren’t really all that secret – as often happens in small towns.

Certain locations gained special meaning to us as they became linked to significant experiences or people in our lives. I wrote about one such place in an article that ran in The Oregonian newspaper some 25 years ago (1990, I believe).
Below is an edited version of that article:

Toll collector Don Patch is not impressed with the Astoria Bridge. “It’s big and green. Other than that, it’s not especially distinctive.”
Perhaps it’s a matter of perspective. From where Patch sits, taking money through the window of the small toll booth, he doesn’t even see the bridge. He sees only the southbound traffic spiraling downward toward him like vultures intent on their prey. Or maybe he holds a grudge because of the time a loaded log truck hit the toll booth – with Patch inside – knocking the booth off its foundation. The scars are still visible on Patch’s forearm; he was hit by a falling first-aid-kit.
Lela Starr, collecting tolls from the northbound lane, has a better view of the bridge. Yet what stands out in her mind after working there 5 ½ years are motorists’ questions, such as, “What’s that big island over there?” Starr’s usual response: “We call it Washington [State].”
We grew up together, the bridge and I. Next year, as I face my 30th birthday, the bridge turns 25. Not exactly old for a bridge, yet in its quarter-century if has played a significant role in the community – and in my life.
In its short existence, the bridge has witnessed birth and death. It has endured bad press, foreboding predictions and assaults by truck, ship and weather. It has been the backdrop for Hollywood glamour, romantic encounters, political protests and crime.
* * *
Stretching 4.1 miles across the mouth of the Columbia River, the Astoria Bridge connects Oregon and Washington as the final link in the 1,625-mile-long U.S. Highway 101, from Tijuana, Mexico to Olympia, Washington. The Guinness Book of World Records once credited the bridge with the longest three-span continuous-through truss in the world. Recent editions omit this listing. Whether a longer span exists somewhere or people just lost interest in three-span continuous-through trusses, I don’t know.
When I first became aware of the bridge, with its crisscross of metal trusses stretching out over the Oregon ship channel, I was too young to know that the bridge was being scorned as the biggest boondoggle in Oregon’s history. It was the most expensive project the State Highway Division had ever undertaken, and skeptics doubted its ability to pay for itself.
Astorians had pushed for a trans-Columbia bridge for years. As early as 1930, President Herbert Hoover signed a bill authorizing construction of a bridge, but the federal Public Works Administration rejected the $6 million project.
In 1961, with an updated price tag of $24 million, then-Governor Mark Hatfield signed off on legislation making the project a reality. Astorians celebrated with a serpentine parade through the city streets and a bonfire. On August 27, 1966, the bridge opened to two-way traffic. My family’s car was one of those to cross that day. On a last-minute whim late that evening, my parents bundled up their four pajama-clad children in blankets, and we drove the eight-mile round trip to Washington and back [to Astoria, Oregon].
The Daily Astorian newspaper asserted that the ‘60s would go down in history as the “Decade of the Bridge.” After the opening publicity, however, excitement began to wane. But not for lack of trying.
Nationally renowned psychic Jeanne Dixon did her part by predicting the structure’s collapse in 1969. Wrong. Made-for-television devastation seemed likely a decade later when filmmaker Irwin Allen (“The Swarm,” “The Poseidon Adventure”) set his sights on the span as the location for a movie called “The Night the Bridge Fell Down.” Although the bridge would have had a stand-in model for the stunt work, the project was cancelled when typical rainy winter weather combined with a local refusal to close the bridge for a full day.
In 1975 the bridge figured into another indelible memory, far less pleasant than my first encounter. While stopped at a traffic light on a street in Astoria that faced the bridge, I witnessed a figure falling from the bridge into the Columbia River. My brothers, who were with me at the time, went to find a phone to report the suicide to the local police, while I was left to stand vigil on the bank under the bridge in case the person surfaced alive. He did not.
* * *
The 1980s was a busy decade for the bridge. In 1985 it appeared in the movie “Short Circuit.” No title role this time; the bridge was only a prop from which No. 5, a 4-foot-tall robot, made a daring escape by parachute.
Also in 1985, a baby was born on the bridge, a fish truck caught fire on the span, and a log truck wiped out a toll booth. Two years later a vessel struck the protective pilings around one of the bridge’s piers, piling up more than $800,000 in damages.
I began working for the Oregon State Highway Division in 1986. As part of my job, I substituted as a toll collector. On the highway maintenance crew, I had the rare pleasure of spending several hours over the ship channel, flagging traffic and enjoying the view of the Columbia River and the tidy homes nestled into the verdant Astoria hillside. But the happiest outcome of working on the bridge happened one day when a car stalled on the bridge during one of my toll-taking shifts. I called the Oregon State Police to help recover the vehicle. The responding officer became my husband some few months later.
* * *
Throughout its near misses with fame and fortune, the bridge began paying for itself. Statistics demonstrated that it was far exceeding anticipated usage. If the “Bridge to Nowhere” designation is to be believed, a lot of motorists have been going nowhere. Within three years, construction bonds will be paid off. But whether the tolls are reduced or dropped entirely remains to be seen.*
I no longer work on the bridge, but we still seem linked through some imperceptible current that tosses us together at the whim of the tides. I can’t help wondering when our paths will cross again and what lesson the encounter will hold.
_______________
* The tolls on the Astoria Bridge were discontinued in 1993, having paid off the $24 million in construction bonds two years earlier than originally projected.
When you live in the Pacific Northwest of the United States, you can’t let a little rain stop you from getting out to enjoy the lushness of autumn. There’s just too much beauty to take in.








The Daily Post weekly photo challenge: H2O

metal bowl on lap peas shelled from crisp green pods fall pinging into bowl
The Daily Post weekly photo challenge: Nostalgia

Sad to think
I never really knew you.
As I sift through gleanings
of a life concluded,
hidden facets surface that I am
just now seeing for the first time.
Sad to think
I am left to piece together
a life story that for all these years
lay nestled in yellowing tissue paper,
carefully tucked away at the bottom of
your cedar chest.
The Daily Post weekly photo challenge: Quest

at the edge
of the shadow
light meets dark
in a deception of
distinction and
division and
sometimes
dissention
but this edge
where light meets dark
is only an illusion
of differentiation
because under the shadow
no edge exists.
The Daily Post’s weekly photo challenge: Edge