keen the captor’s prey
killed by kerf of unsheathed claw
kitty’s catnip slayed
#AtoZChallenge: 26 posts in April, topics to proceed alphabetically. Creating a theme for one’s blog challenge is optional. My theme for 2021: a three line alliteration each day (5-7-5, haiku-ish) with the first letter of each line the same as the letter of the day.
fleeing frosty fall
flocks forage in fallow fields
fuel for far flights
#AtoZChallenge: 26 posts in April, topics to proceed alphabetically. Creating a theme for one’s blog challenge is optional. My theme for 2021: a three line alliteration each day (5-7-5, haiku-ish) with the first letter of each line the same as the letter of the day.
Yesterday you hugged the gravel path.
Today you strayed into wildflowers and
withers-high grass,
nose working the air as though
inhaling heaven itself.
Tonight I’ll pull burrs from the
long fur on your legs and bum.
Tomorrow, who knows?
With you, it’s all good.
dVerse poets Quadrille #110: Bumming around.
Bella went to heaven today.
Now her worry wrinkles will unfold.
She will take well-earned peaceful naps
and wake the angels with her snoring.
She will bow down and wiggle her butt
in the universal “let’s play” gesture,
And other dog angels will tussle with her
in fields of sweet grass and flowers.
She will live forever in our hearts,
her soulful gaze will touch our thoughts.
Her memory will always bless us,
just as she did in life.
Rest in peace, Miss Bella.
Day Six of NaPoWriMo.*
Today’s prompt asks us to
“write a poem from the point of view of one person/animal/thing from Hieronymous Bosch’s famous (and famously bizarre) triptych The Garden of Earthly Delights.”
I used a different painting, Franz Marc’s “The Fox” for my poem, but with the same concept of using the subject’s point of view.
Here goes:
As cities crumbled in disrepair,
we watched from forest shadows,
not understanding what forces cause
a species to implode.
As flora died in poisoned air,
we retreated into denser woods,
left to fathom such machinations
that place greed above survival.
With no place left to seek reprieve,
we huddled amidst brambles,
hiding from blind ignorance
that sought to take our lives.
And then the whole world shattered
into a million pieces.
We raised our heads to face our death,
and instead were met with
blue skies free from factory smoke,
waters clear as young fawns’ eyes,
fish emerging from the depths.
plants burgeoning in replenished soil.
We snuggled in comforted embrace
as nature reassembled,
as order rose from chaos
under Gaia’s healing eyes.
You perch in silhouette on overhead power lines,
a black bird cutout from the gray-mottled clouds.
I’ve read that you recognize faces, and can
distinguish the friendly from the ill-willed.
I’ve read that you can even pass that specific discernment
down to your offspring.
And so, when you begin scolding me in raucous cawing,
I face you square on and remind you that I’m one of the good guys.
You laugh (or so it seems) and swoop down to the garden wall
where you observe (or so it seems) my every move.
When I return to the house, you will drop to the ground
and inspect the results of my comings and goings.
Perhaps I have turned up a tasty morsel from the garden.
You’ll return to your high wire and pose again,
black-on-black in silhouette against the sky.
And somehow, I take comfort in imagining
I have gained your approval and won’t fall victim
to a murder of crows.
The spider works quickly to get the larger insect wrapped within its web. The insect doesn’t struggle; it may be dead. But the web is in tatters and shakes violently every time the spider moves. I watch the action, hoping the spider secures its hard-won meal before the web gives out.
Progress is slow, and my attention wavers. When I check back, the spider is sitting motionless in its sparse web, and the big catch-of-the-day is nowhere in sight. Has it fallen from the web? After all the spider’s hard work? I am compelled to make it right, find the bug. Maybe I can stick it back on the web somehow.
I part the plants beneath the spider’s web, and sure enough, there it is. Still wrapped in webbing. Still dead. But… moving? Two small ants have taken a hold of the hapless bug and are hauling it off as their own pre-wrapped prize. I am too late. Nature has already made it right.
nature’s web pulled taught
broken strands and gaping holes
mend on, weavers, mend
Day 25 of NaPoWriMo.
Today’s Prompt:
Taking a cue from John Keats’ poem, “To Autumn,” write a poem that (a.) is specific to a season; (b.) uses imagery that relates to all five senses; (c.) includes a rhetorical question, like Keats’ “where are the songs of spring?”
I’m so enjoying the warmer weather of late, and all the greenery, I couldn’t imagine writing about any season other than Spring.
In increments imperceptible to most,
light of day expands, hours of dark recede,
and life erupts from warming soil;
sprung from damp earth, a geyser of green,
gushing through garden and bramble and lawn,
flowing up trees, pushing sap as it surges,
splitting through soft bark of branches and twigs,
spewing leaves and blooms when at last it emerges.
While Steller’s jays gather moss for their nests,
the smaller scrub jay and a petulant crow
vie for clear title to raspiest call; and
collared doves hide in tall trees, and echo:
who Whoo who, who Whoo who.
Who planted the bulbs shooting up through the duff?
sacheted hyacinth, tulip and dainty blue bell,
bouquets laced with pungent rosemary sprigs,
and laid atop carpets of soft lemon basil;
as dandelions and dead nettle wait to serve tea.
NaPoWriMo, Day 23. The prompt:
Write a poem about an animal.
Tell me again about the whales, Great-gran; did you
ever see one?
Yes, child, I have seen them,
but only from afar.
Even at a great distance, it must have been amazing!
That it was, child. That it was. Such grand beings!
What happened to the whales, Great-gran?
Oh, child, they went the way of the dinosaur,
and the wolf, and the elephant,
and the eagle…
Oh, how sad.
Yes, yes, it is very sad.
Great-gran, have you ever seen a human?
Great-gran… Why are you crying?
I have seen them, Child. I will not speak of them,
except to say there are some things
I wish I had never seen.
NaPoWriMo, Day 22. The prompt:
Today, I’d like to challenge you to write a poem that engages with another art form – it might be about a friend of yours who paints or sculpts, your high school struggles with learning to play the French horn, or a wonderful painting, film, or piece of music you’ve experienced – anything is in bounds here, so long as it uses the poem to express something about another form of art.
While I did struggle with French horn in high school, stained glass is much more fun. And so I give you:
It is Summer.
The trees are full of leaf chips:
green and yellow with black stringer twigs.
I haven’t done glass work in ages.
I will do straight lines.
Lots of straight lines. And lead,
not copper foil. Foil is harder to do.
Birds come to mind.
I don’t really know why.
I spread my wings and begin cutting glass.
It is Autumn.
The leaf chips have turned gold and burnt orange,
and a deeper shade of yellow.
They are falling.
The birds chatter amongst themselves.
Is it time to head south?
It’s getting colder. They hold their wings close in
to their weightless bodies.
I turn the heater on in my studio.
It is Winter.
White snow, blue ice.
This pattern is no longer in production;
the birds need to be larger.
Two fat cardinals land on bare branches and
consult with a larger bird, whose tail feathers
splay a bit to accommodate
smaller pieces of background.
I love the dark red of the cardinals;
a smooth rolled glass that cuts like butter.
It is Spring.
Leaves are returning.
Delicate lavender flowers
buzz with the breeze of bee wings.
It is time for building nests,
laying eggs,
feeding hatchlings.
How does one differentiate
a worm from a slender tree branch?
I will allow curves this time.
After three seasons,
I think I’m ready.
What Rhymes with Stanza? 