Category Archives: daily prompt

Words and Paint

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NaPoWriMo, Day 28

The prompt today deals with:

“the concept of meta-poems – which are poems about poems! In this video, the poets Al Fireis, Lily Applebaum, Dave Poplar, and Camara Brown discuss Emily Dickinson’s ‘We learned the Whole of Love.’ …

And now for our daily (optional) prompt. As you may have guessed, today I’d like to challenge you to try your hand at a meta-poem of your own.

So this is maybe not a proper meta-poem, but after watching about half of the video provided as a resource, this is the impression I was left with:

journal

Words and Paint

Large canvas yawns on studio floor
Cigarette ash lengthens with neglect
Eye sizes up canvas and looks for inspiration
Brushes, paints, splatters, spills
Colors, contrasts, movement, perspective

Figure steps back, surveys result
Artist, art? Crafts-person, handiwork?
Custodian, drop cloth?

♦ ♦ ♦

Blank page of crisp, white paper
Pen taps desk, ink smears
Hand looms over paper and waits for direction
Verbs, nouns, phrases, thoughts
Colors, contrasts, movement, perspective

Figure lifts page, reads and reworks
Poet, poetry? Wordsmith, story?
Shopper, grocery list?

♦ ♦ ♦

Canvas is framed, hung on wall in gallery
Viewers study the painting
Discuss what the artist intended
with each brush stroke or nuanced hue.

Writing is published in journal
Readers study the piece
Discuss word choice and tenor
Delve into the poet’s mindset and meaning.

♦ ♦ ♦

Custodian goes in search of missing drop cloth.
Shopper wonders where they misplaced their list.

Only a Dream

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NaPoWriMo, Day 26. The prompt:

Write a poem that uses repetition.

dream

Only a Dream

I dreamt last night,
but I can’t recall
what happened in the dream.

I dreamt last night
and when I awoke,
I felt lesser than.

I dreamt last night.
Whatever happened in the dream,
I let myself down somehow.

I dreamt last night,
You were in the dream.
And someone else.

I dreamt last night.
You found out what I did,
but I chose to lie about it.

I dreamt last night.
It didn’t really happen.
I did not let myself down,

nor you.

Spring Awakes

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Day 25 of NaPoWriMo.

Today’s Prompt:

Taking a cue from John Keats’ poem, “To Autumn,” write a poem that (a.) is specific to a season; (b.) uses imagery that relates to all five senses; (c.) includes a rhetorical question, like Keats’ “where are the songs of spring?”

I’m so enjoying the warmer weather of late, and all the greenery, I couldn’t imagine writing about any season other than Spring.

Spring

Spring Awakes

In increments imperceptible to most,
light of day expands, hours of dark recede,
and life erupts from warming soil;
sprung from damp earth, a geyser of green,

gushing through garden and bramble and lawn,
flowing up trees, pushing sap as it surges,
splitting through soft bark of branches and twigs,
spewing leaves and blooms when at last it emerges.

While Steller’s jays gather moss for their nests,
the smaller scrub jay and a petulant crow
vie for clear title to raspiest call; and
collared doves hide in tall trees, and echo:

who Whoo who, who Whoo who.

Who planted the bulbs shooting up through the duff?
sacheted hyacinth, tulip and dainty blue bell,
bouquets laced with pungent rosemary sprigs,
and laid atop carpets of soft lemon basil;

as dandelions and dead nettle wait to serve tea.

Seasons in Glass

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NaPoWriMo, Day 22. The prompt:

Today, I’d like to challenge you to write a poem that engages with another art form – it might be about a friend of yours who paints or sculpts, your high school struggles with learning to play the French horn, or a wonderful painting, film, or piece of music you’ve experienced – anything is in bounds here, so long as it uses the poem to express something about another form of art.

While I did struggle with French horn in high school, stained glass is much more fun. And so I give you:

Seasons in Glass

I.

birds-summer

It is Summer.
The trees are full of leaf chips:
green and yellow with black stringer twigs.
I haven’t done glass work in ages.
I will do straight lines.
Lots of straight lines. And lead,
not copper foil. Foil is harder to do.
Birds come to mind.
I don’t really know why.
I spread my wings and begin cutting glass.

II.

birds-autumn

It is Autumn.
The leaf chips have turned gold and burnt orange,
and a deeper shade of yellow.
They are falling.
The birds chatter amongst themselves.
Is it time to head south?
It’s getting colder. They hold their wings close in
to their weightless bodies.
I turn the heater on in my studio.

III.

birds-winter

It is Winter.
White snow, blue ice.
This pattern is no longer in production;
the birds need to be larger.
Two fat cardinals land on bare branches and
consult with a larger bird, whose tail feathers
splay a bit to accommodate
smaller pieces of background.
I love the dark red of the cardinals;
a smooth rolled glass that cuts like butter.

IV.

birds-spring

It is Spring.
Leaves are returning.
Delicate lavender flowers
buzz with the breeze of bee wings.
It is time for building nests,
laying eggs,
feeding hatchlings.
How does one differentiate
a worm from a slender tree branch?
I will allow curves this time.
After three seasons,
I think I’m ready.

Jackals in the Key of C-Sharp Major

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Day 21 of NaPoWriMo. The prompt:

write a poem that incorporates wild, surreal images. Try to play around with writing that doesn’t make formal sense, but which engages all the senses and involves dream-logic.

I’ve been told before that I don’t make sense, but I’ve never before been asked to make less sense. Does that make any sense? Here goes:

Jackals in the Key of C-Sharp Major

When the jackals came calling, we hid
on top of a mound of field mice stacked like rows of bricks.
The jackals didn’t see us;
they were searching through the magazine racks to the east.

Turkey vultures triangled above, calling to the jackals,
pointing with their flowing pink boas,
but the jackals didn’t hear them pointing.
They were listening to us sing songs about the stupid jackals.
The field mice joined in on the chorus,
but only when it was in the key of C-sharp major.

Then the tanks rolled in, three across and ten deep,
camouflaged with tie-dyed circles the color of a midday shadow.
They rumbled through the disco,
rattling the ground with their relentless tracks,
strewing trails of Skittles in their wake
like so many teeth shaken loose from a cantaloupe skull.

Turkey vultures flapped their pink boas and chased the Skittles to ground,
trying once more to alert the jackals,
but all the hapless birds could manage to squawk out
through candy-jammed beaks were
the words “peace” and “sunshine.”

The field mice, or at least the bravest among them and
those upon whose heads we were not standing, ran
toward the turkey vultures singing “peace and sunshine.”
They wanted to join in on the chorus,
but only if it was in the key of C-sharp major.

The jackals chased the field mice down the tank tracks,
scattering Skittles, tripping over turkey vultures,
dancing through the disco, flipping through magazines,
and came to a rumbling halt at our feet, and – non-coincidentally –
at the teeny-tiny paws of such field mice as had remained behind.

Other than the pink boas circling their heads like fluffy crowns,
the jackals looked utterly ridiculous.
And stupid.

We sang them a song in the key of C-sharp major
and headed home.
All of us.

Exhale

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NaPoWriMo, Day 19.

The prompt:

Today, I’d like to challenge you to write an abecedarian poem – a poem in which the word choice follows the words/order of the alphabet. You could write a very strict abecedarian poem, in which there are twenty-six words in alphabetical order, or you could write one in which each line begins with a word that follows the order of the alphabet.

Okay, the directions seemed simple enough, but somehow I got it backwards.

Exhale

Zoey
Yearned to
eXhale.
While breathing is indeed a
Valuable asset for living, it is generally
Understood that if one goes to the
Trouble of inhaling, it’s
Simply impossible to
Refrain from exhaling. The obvious
Question, then, is what
Prompted Zoey to possess this
Oddly understated desire.

Needless to say – one would hope — the perpetual
Mishandling, neglect and abuse of an animal will
Lead to mistrust, fear and – in Zoey’s case – a
Keen sense of danger such that
Just by exhaling, she might incur the
Inability to protect herself from harm.

Her wish for safety and security was
Granted one day in the
Form of earthbound angels who
Extricated her from her dire,
Debilitating situation, and through
Care and love and patience, Zoey was
Bestowed once again with her rightful
Ability to fully, exhilaratingly exhale.

When It’s Time

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NaPoWriMo, Day 18.

Our optional prompt for the day takes its cue from how poetry can help us to make concrete the wild abstraction of a feeling like grief…

Today, I’d like to challenge you to write an elegy of your own, one in which the abstraction of sadness is communicated not through abstract words, but physical detail. This may not be a “fun” prompt, but loss is one of the most universal and human experiences, and some of the world’s most moving art is an effort to understand and deal with it.

When It’s Time

I wonder how they know.
They make the call.
It’s time to come.
But how do they know?

He’s been gone for years already.
The memory, the recognition, and —
eventually — even the words.

But now he lies here, eyes closed,
erratic breathing, pale skin.
The phrase “death warmed over”
comes (irreverently) to mind.

Still, how do they know?
Mightn’t he wake up tomorrow with
that good-humored sparkle in his eye
and say something silly?
“You’ve grown so tall now;
your legs go all the way down to your feet!”

No, of course not. But still…

His skin is hot.
His breathing is ragged.
I expected clammy and shallow,
respectively.

I kiss his forehead, pat his hand.
I feel embarrassed that I don’t know what to say,
even though he can’t hear me.

I don’t say goodbye, because —
well — he’s still here. For now.
Then again, as I said before,
he’s been gone a long time already.

I wonder how they know.

Matchless

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NaPoWriMo, Day 17. Due to the demise of my computer, my muse has been forced to sit silent for this past week. But we’re back!

Today’s prompt:

Write a poem that presents a scene from an unusual point of view.

flame

Matchless

Rrrrtch tssss whooos.
Match strikes to life.
Sulfurous head turns black,
then glows orange-red.
Blue flame encircles the head,
turning yellow as it reaches upward.

Match touches wick.
Wick resists, but then
accepts the flame with a
complaining sizzle and pop.

Flame dances brightly to the
rhythm of an invisible breeze.
Wispy white smoke coils up and away.

There’s warmth in the watching,
shadows chiseled by the light,
danger cloaked in tenuousness.

And then, Pifft!
Match is extinguished, and all that is left
is that copycat flame perched ridiculously
atop a flimsy wick and weaving like a drunk parakeet.

NaPoWriMo, Day 17

Things People Say

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Day Nine of NaPoWriMo.

Today’s prompt is inspired by the work of Sei Shonagon, a Japanese writer who lived more than 1000 years ago. She wrote a journal that came to be known as The Pillow Book. In it she recorded daily observations, court gossip, poems, aphorisms, and musings, including lists with titles like “Things That Have Lost Their Power,” “Adorable Things,” and “Things That Make Your Heart Beat Faster.”

The prompt:

Today, I’d like to challenge you to write your own Sei Shonagon-style list of “things.” What things? Well, that’s for you to decide!

And so:

Things People Say

“I understand.” A phrase often misunderstood.
If one truly understands,
there are many more effective ways to say so.
Better yet,
illustrate the understanding through actions.
Show, don’t tell.

“Are we there yet?”
Often responded to with a white lie:
“Almost.”
If one feels compelled to ask, the answer is
most likely “no.”

“I love you.” Best said when true.
Often withheld until one’s paramour has said it first.
Show, but also tell.

“Thank you.” Not said often enough.
Tell, and show,
at minimum seventeen times per day.

Crash for Cash

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Day Eight of NaPoWriMo. The prompt:

Today, I’d like to challenge you to think about the argot of a particular job or profession, and see how you can incorporate it into a metaphor that governs or drives your poem.

I’ll let the phrase “crash for cash” drive my poem.

traffic 2

Crash for Cash

Put pedal to the metal,
don’t let them get away.
Faster than fast, hit the gas
if you’re gonna play.

Gotta get ahead now,
catch them in their own lane.
They won’t even know you’ve
beat them at the game.

Don’t give them time to guess;
road rage or reckless chase.
They’ll let you lead the way,
they’ll settle for second place.

Not here to win the race,
you’re here to get the prize.
Slam on the brakes, let them
hit you in the backside.

**> ~ ~ <**

They’ll say it’s your fault.
You’ll say it’s whiplash.
They say they’ll sue you.
You say you’ll take cash.

It’s how the race is run,
not about who wins the race.
Wanna know what I think?
It’s all about who sets the pace.