vortex

You are the funnel circling the bathtub drain.
You gurgle incomprehensible complaints and accusations.
You suck vacuously at lavender scented air,
all the while choking back the bile of sewer sludge
that tickles your throat.

Your vortex pulls in stinky sock lint –
flushed out of hiding from between unsuspecting toes,
clumps of sloughed off hair and slimy scum.
Lots and lots of scum.

I watch and silently will the tub to drain faster
so as to leave as little residue as possible
once you are gone.
And for the umpteenth time, I wonder how it is
you ever got elected to office.


dVerse Challenge: Meet the Bar — Metaphorically Speaking 

Words and Paint

NaPoWriMo, Day 28

The prompt today deals with:

“the concept of meta-poems – which are poems about poems! In this video, the poets Al Fireis, Lily Applebaum, Dave Poplar, and Camara Brown discuss Emily Dickinson’s ‘We learned the Whole of Love.’ …

And now for our daily (optional) prompt. As you may have guessed, today I’d like to challenge you to try your hand at a meta-poem of your own.

So this is maybe not a proper meta-poem, but after watching about half of the video provided as a resource, this is the impression I was left with:

journal

Words and Paint

Large canvas yawns on studio floor
Cigarette ash lengthens with neglect
Eye sizes up canvas and looks for inspiration
Brushes, paints, splatters, spills
Colors, contrasts, movement, perspective

Figure steps back, surveys result
Artist, art? Crafts-person, handiwork?
Custodian, drop cloth?

♦ ♦ ♦

Blank page of crisp, white paper
Pen taps desk, ink smears
Hand looms over paper and waits for direction
Verbs, nouns, phrases, thoughts
Colors, contrasts, movement, perspective

Figure lifts page, reads and reworks
Poet, poetry? Wordsmith, story?
Shopper, grocery list?

♦ ♦ ♦

Canvas is framed, hung on wall in gallery
Viewers study the painting
Discuss what the artist intended
with each brush stroke or nuanced hue.

Writing is published in journal
Readers study the piece
Discuss word choice and tenor
Delve into the poet’s mindset and meaning.

♦ ♦ ♦

Custodian goes in search of missing drop cloth.
Shopper wonders where they misplaced their list.

Only a Dream

NaPoWriMo, Day 26. The prompt:

Write a poem that uses repetition.

dream

Only a Dream

I dreamt last night,
but I can’t recall
what happened in the dream.

I dreamt last night
and when I awoke,
I felt lesser than.

I dreamt last night.
Whatever happened in the dream,
I let myself down somehow.

I dreamt last night,
You were in the dream.
And someone else.

I dreamt last night.
You found out what I did,
but I chose to lie about it.

I dreamt last night.
It didn’t really happen.
I did not let myself down,

nor you.

Spring Awakes

Day 25 of NaPoWriMo.

Today’s Prompt:

Taking a cue from John Keats’ poem, “To Autumn,” write a poem that (a.) is specific to a season; (b.) uses imagery that relates to all five senses; (c.) includes a rhetorical question, like Keats’ “where are the songs of spring?”

I’m so enjoying the warmer weather of late, and all the greenery, I couldn’t imagine writing about any season other than Spring.

Spring

Spring Awakes

In increments imperceptible to most,
light of day expands, hours of dark recede,
and life erupts from warming soil;
sprung from damp earth, a geyser of green,

gushing through garden and bramble and lawn,
flowing up trees, pushing sap as it surges,
splitting through soft bark of branches and twigs,
spewing leaves and blooms when at last it emerges.

While Steller’s jays gather moss for their nests,
the smaller scrub jay and a petulant crow
vie for clear title to raspiest call; and
collared doves hide in tall trees, and echo:

who Whoo who, who Whoo who.

Who planted the bulbs shooting up through the duff?
sacheted hyacinth, tulip and dainty blue bell,
bouquets laced with pungent rosemary sprigs,
and laid atop carpets of soft lemon basil;

as dandelions and dead nettle wait to serve tea.

Jackals in the Key of C-Sharp Major

Day 21 of NaPoWriMo. The prompt:

write a poem that incorporates wild, surreal images. Try to play around with writing that doesn’t make formal sense, but which engages all the senses and involves dream-logic.

I’ve been told before that I don’t make sense, but I’ve never before been asked to make less sense. Does that make any sense? Here goes:

Jackals in the Key of C-Sharp Major

When the jackals came calling, we hid
on top of a mound of field mice stacked like rows of bricks.
The jackals didn’t see us;
they were searching through the magazine racks to the east.

Turkey vultures triangled above, calling to the jackals,
pointing with their flowing pink boas,
but the jackals didn’t hear them pointing.
They were listening to us sing songs about the stupid jackals.
The field mice joined in on the chorus,
but only when it was in the key of C-sharp major.

Then the tanks rolled in, three across and ten deep,
camouflaged with tie-dyed circles the color of a midday shadow.
They rumbled through the disco,
rattling the ground with their relentless tracks,
strewing trails of Skittles in their wake
like so many teeth shaken loose from a cantaloupe skull.

Turkey vultures flapped their pink boas and chased the Skittles to ground,
trying once more to alert the jackals,
but all the hapless birds could manage to squawk out
through candy-jammed beaks were
the words “peace” and “sunshine.”

The field mice, or at least the bravest among them and
those upon whose heads we were not standing, ran
toward the turkey vultures singing “peace and sunshine.”
They wanted to join in on the chorus,
but only if it was in the key of C-sharp major.

The jackals chased the field mice down the tank tracks,
scattering Skittles, tripping over turkey vultures,
dancing through the disco, flipping through magazines,
and came to a rumbling halt at our feet, and – non-coincidentally –
at the teeny-tiny paws of such field mice as had remained behind.

Other than the pink boas circling their heads like fluffy crowns,
the jackals looked utterly ridiculous.
And stupid.

We sang them a song in the key of C-sharp major
and headed home.
All of us.

Matchless

NaPoWriMo, Day 17. Due to the demise of my computer, my muse has been forced to sit silent for this past week. But we’re back!

Today’s prompt:

Write a poem that presents a scene from an unusual point of view.

flame

Matchless

Rrrrtch tssss whooos.
Match strikes to life.
Sulfurous head turns black,
then glows orange-red.
Blue flame encircles the head,
turning yellow as it reaches upward.

Match touches wick.
Wick resists, but then
accepts the flame with a
complaining sizzle and pop.

Flame dances brightly to the
rhythm of an invisible breeze.
Wispy white smoke coils up and away.

There’s warmth in the watching,
shadows chiseled by the light,
danger cloaked in tenuousness.

And then, Pifft!
Match is extinguished, and all that is left
is that copycat flame perched ridiculously
atop a flimsy wick and weaving like a drunk parakeet.


NaPoWriMo, Day 17

Crash for Cash

Day Eight of NaPoWriMo. The prompt:

Today, I’d like to challenge you to think about the argot of a particular job or profession, and see how you can incorporate it into a metaphor that governs or drives your poem.

I’ll let the phrase “crash for cash” drive my poem.

traffic 2

Crash for Cash

Put pedal to the metal,
don’t let them get away.
Faster than fast, hit the gas
if you’re gonna play.

Gotta get ahead now,
catch them in their own lane.
They won’t even know you’ve
beat them at the game.

Don’t give them time to guess;
road rage or reckless chase.
They’ll let you lead the way,
they’ll settle for second place.

Not here to win the race,
you’re here to get the prize.
Slam on the brakes, let them
hit you in the backside.

**> ~ ~ <**

They’ll say it’s your fault.
You’ll say it’s whiplash.
They say they’ll sue you.
You say you’ll take cash.

It’s how the race is run,
not about who wins the race.
Wanna know what I think?
It’s all about who sets the pace.

How to

Day One of NaPoWriMo. The prompt:

[W]rite poems that provide the reader with instructions on how to do something.

Herewith,

how to

How To

There’s so many things I’ve yet to learn,
like where and why and what and who.
So who said what, why is it where
most try to teach “how to?”

How to fall in love;
how to win it back.
How to lose the oaf
when his façade cracks.

How to earn big bucks
quick and easily,
how to file the forms
for your bankruptcy.

How to win respect from
those you disdain,
how to show concern
with sympathy feigned.

I won’t tell you how
to live your life.
It takes patience, care
and sometimes strife.

But I’ll gladly show how
to change your and my luck
with just four installments
of twenty bucks.

It’s here: NaPoWriMo

NaPoWriMo celebrates National Poetry Writing Month, where one writes a poem a day for the entire month of April. As I did last year, I am participating by responding to the prompts given at the site NaPoWriMo. net.

The “early bird” prompt for today: “Today, we’d like to challenge you to write a poetic self-portrait. And specifically, we’d like you to write a poem in which you portray yourself in the guise of a historical or mythical figure. “

So here we go!

woods

 Self-Portrait as a Sasquatch

It seeks me out,
hunts me down…
the commotion, the cacophony, the confusion.

I want none of it. It hurts my head.
I seek refuge in the cooling shadows of the forest.

I become curious, though, and
come out of the woods,
down from the mountain,
dare to be seen

only to discover nothing has changed;
the commotion, the cacophony, the confusion…
my head hurts.

Retreating back to the shadows, I content myself
with the serenity of keeping my own company.

The warmth of the sun brings sustenance to my soul,

but it’s not yet time.