National Voter Registration Day

Midterm elections are coming up on November 6th in the US. Are you registered to vote? You can register HERE. It’s super easy and super important. Be heard, make a difference.

Vote like your life depended on it. Someone’s life truly does.

“Too many people struggled, suffered, and died to make it possible for every American to exercise their right to vote.” ~ John Lewis


“We must vote for hope, vote for life, vote for a brighter future for all of our loved ones.” ~ Ed Markey


“Individual rights are not subject to a public vote; a majority has no right to vote away the rights of a minority; the political function of rights is precisely to protect minorities from oppression by majorities (and the smallest minority on earth is the individual).” ~ Ayn Rand

002

Hiroshima, reluctantly

Hiro

August 6th is the anniversary of the atomic bombing of Hiroshima. For the dVerse Monday haibun challenge, poet Frank J. Tassone suggested we write a haibun “that states or alludes to either the Hiroshima attack, or one of the themes of the Hiroshima Peace Memorial Ceremony, such as peace, the abolition of nuclear weapons, or the horror of nuclear war.”

From my place of privilege, I would rather post about my pets, show photos of flowers… you know,  the nice feel good stuff. I almost passed on this week’s poetry challenge, but given the current state of the world, I felt it important that I not do so. So, not my usual fare, but in my thoughts:



It never really registered, when I viewed the black and white newsreels. The children, in the street, crying. Some naked, their clothes having been burned off their bodies. Some… I wouldn’t even want to describe it. I wouldn’t want to put it into words, because then maybe it would cease to be a black and white movie, and it would be real. Real flesh and… flesh and…

… the flesh, it was melting off their arms.

Mushroom cloud rising
I can only imagine –
no, not even that

Picking Up the Pieces

Reluctantly I select one.
Meaningless; set it down.

Bored, I ponder others.
These to the left; those up top.

Angry, I’m seeing red.
To the right with those.

Puzzled, I look up.
“It’s forming a picture.”
“Yes,” smiles the therapist.
“That’s how this works.”

puzzle


dVerse Quadrille #61, Puzzle

Six truths and a lie (or vice versa)

seven

I saw it coming from the start.

It all just sounded too good to be true.

Later it seemed too bad to be true, but it was.

When you tell enough lies, they start to sound true.

Truth hurts sometimes, but only if you believe it.

Lies hurt, too, because truth always prevails.

I never saw it coming.


dVerse Meeting the Bar: Septet

Vice and Virtue

apples

I am greedy for your charity.
I lust after your chastity.
While some may call me slothful,
I prefer “procrastinatory.”

I admit I’m green with envy at
your temperate humility.
and yet I take great pride in times
my wrath yields to civility.

I’m a glutton for your kindness.
You’re impatient with my pride.
I am sinful, you are virtuous.
You’re Jekyll, I am Hyde.

If you offered me an apple,
in the garden we could hide
With your heavenly companionship,
it’d be one hell of a ride.


Inspired by the dVerse Poetics challenge to write a poem based on the seven virtues (charity, chastity, kindness, temperance, diligence, patience and humility), and the seven deadly sins (greed, lust, envy, gluttony, sloth, wrath and pride). 

on wings

chicken

Scissors in one hand, hen in the other, a couple of quick snips and the wing tips swirl to the ground. Keeps ‘em from ‘flying the coop’, the farmer says. He releases the hen. She takes a moment to regain her balance, then runs to the opposite side of the pen where she flaps and clucks her objections. Isn’t it rather cruel to clip their wings, I wonder? Nah, the farmer says. It doesn’t hurt them, and ‘sides, if they don’t like it, they can leave. The farmer chuckles at the irony of his own joke and reaches for another hen.

boundless sky beckons
anticipation takes flight
gravity prevails


dVerse Haibun Monday — Complexity of Freedom

with you — unseen (a contrapuntal)

Sometimes I see that you are
sad, upset…
					In pain
I don’t know what to say,
other than, “I’m sorry.” 
					you retreat,
You say, “It’s okay.
It’s not your fault.” 
					lick your wounds
We both know that it’s not.
Not my fault – at least not this time –
and not okay.

What is it that keeps us		unseen.
from being okay with life
not being okay? 

What is it that keeps us		Unseen,
from allowing one another to
be with us in our sorrows?
					
I am with you when you are down.	I bear your pain
I am with you when it’s not okay.
I am with you when it’s not my fault… 	and remain
even when it is my fault. 

If you do not wish to be with me,
or just aren’t ready right now,
that’s okay. 

Or maybe it’s not. 
But I will be with you in my heart,	in silence.
even if not in yours. 

In response to dVerse Meeting the Bar, May 24, 2018, where it is explained that, “Contrapuntal music is composed of multiple melodies that are relatively independent that are sounded together. In the poetic world, contrapuntal poems are poems that intertwine two (or more) separate poems into a single composition.”

Tall Order

heroes

HEROES WANTED
Must have crisp capes and masks with
just the right balance of intrigue and
mystery.

Must have superpowers of seeing through
rumors, lies and half-truths; and
leaping over small thoughts,
imposed barriers and festering hatred.

Must be unflinching in the face of
introspection, and have the wisdom to
acknowledge that there are no difficult answers,
just difficult questions.

Must be of such mettle that –
perchance the mask slips –
revelation of the hero’s true character
can withstand close scrutiny in the
oh-so-harsh light of day.

Most importantly,
beneath the crisp cape and behind the mysterious mask,
must be a human with foibles,
vulnerabilities, and the willingness to risk
love and forgiveness.

White horse optional.

Count Down

cell

NaPoWriMo Challenge, Day 26: “write a poem that includes images that engage all five senses. Try to be as concrete and exact as possible with the “feel” of what the poem invites the reader to see, smell, touch, taste and hear.”


Seventy-two steps down Hall B,
to mute doors with blank-stare windows.
Don’t touch the handles. Fingers would
scorch to ash. Or freeze so hard they’d shatter.

Eyes recoil from chlorine-glazed floor.
Salt water soothes the nose.
Slick. Sticky. Squeaky rubber soles,
but no one ever trips
over absent laces.

Turn around at the door.
Seventy-two steps back. Always the same distance,
though the walls expand and deflate in
fallow-breathed rhythm.

At forty steps back he’s there.
You feel him like a sweat-soaked wall.
The door at forty is no blank stare.
The darkened window rages in razor-orange furnace blasts.
Involuntary flinch. Voluntary cower
to the far wall as you pass by.

He feels you, too,
like a limp, soiled napkin.
He wants to crush you with his fury, until
your soul oozes out and seeps under
his cell door.

He screams. He flings insults and curses
like hot excrement at the walls. At you.
The orderlies will come soon,
syringe locked and loaded.

At the station, turn right.
Fifty-five steps down Hall A.

Mirror rorriM

mirror3

Warning:
objects in mirror may be
closer than they appear

Do not get too close.
If you get too close, it will hurt,
most likely.

Beware of imagining you are
closer than you are.
Closeness could just be an appearance
perpetrated by the object in the mirror.

Do not look too closely at the
object in the mirror.
You may not like what appears.

Do not objectify what you see in the mirror.
Others – even some who appear close to you –
will gladly do that for you.

Do not mirror others
just to keep up appearances.

Look beyond appearances
and you may find yourself
getting closer.

And finally:
Reflect less on what’s behind you and
focus more on what’s ahead.
You won’t want to miss out on any
promising new vistas.

NOTE: Please refer to Operator’s Manual
for additional warnings in the section titled
Potential Hazards of Roadside Attractions &
One Night Stands
.


NaPoWriMo Challenge, Day 25: “write a poem that takes the form of a warning label . . . for yourself!”