Category Archives: poetry

Jackals in the Key of C-Sharp Major

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Day 21 of NaPoWriMo. The prompt:

write a poem that incorporates wild, surreal images. Try to play around with writing that doesn’t make formal sense, but which engages all the senses and involves dream-logic.

I’ve been told before that I don’t make sense, but I’ve never before been asked to make less sense. Does that make any sense? Here goes:

Jackals in the Key of C-Sharp Major

When the jackals came calling, we hid
on top of a mound of field mice stacked like rows of bricks.
The jackals didn’t see us;
they were searching through the magazine racks to the east.

Turkey vultures triangled above, calling to the jackals,
pointing with their flowing pink boas,
but the jackals didn’t hear them pointing.
They were listening to us sing songs about the stupid jackals.
The field mice joined in on the chorus,
but only when it was in the key of C-sharp major.

Then the tanks rolled in, three across and ten deep,
camouflaged with tie-dyed circles the color of a midday shadow.
They rumbled through the disco,
rattling the ground with their relentless tracks,
strewing trails of Skittles in their wake
like so many teeth shaken loose from a cantaloupe skull.

Turkey vultures flapped their pink boas and chased the Skittles to ground,
trying once more to alert the jackals,
but all the hapless birds could manage to squawk out
through candy-jammed beaks were
the words “peace” and “sunshine.”

The field mice, or at least the bravest among them and
those upon whose heads we were not standing, ran
toward the turkey vultures singing “peace and sunshine.”
They wanted to join in on the chorus,
but only if it was in the key of C-sharp major.

The jackals chased the field mice down the tank tracks,
scattering Skittles, tripping over turkey vultures,
dancing through the disco, flipping through magazines,
and came to a rumbling halt at our feet, and – non-coincidentally –
at the teeny-tiny paws of such field mice as had remained behind.

Other than the pink boas circling their heads like fluffy crowns,
the jackals looked utterly ridiculous.
And stupid.

We sang them a song in the key of C-sharp major
and headed home.
All of us.

Exhale

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NaPoWriMo, Day 19.

The prompt:

Today, I’d like to challenge you to write an abecedarian poem – a poem in which the word choice follows the words/order of the alphabet. You could write a very strict abecedarian poem, in which there are twenty-six words in alphabetical order, or you could write one in which each line begins with a word that follows the order of the alphabet.

Okay, the directions seemed simple enough, but somehow I got it backwards.

Exhale

Zoey
Yearned to
eXhale.
While breathing is indeed a
Valuable asset for living, it is generally
Understood that if one goes to the
Trouble of inhaling, it’s
Simply impossible to
Refrain from exhaling. The obvious
Question, then, is what
Prompted Zoey to possess this
Oddly understated desire.

Needless to say – one would hope — the perpetual
Mishandling, neglect and abuse of an animal will
Lead to mistrust, fear and – in Zoey’s case – a
Keen sense of danger such that
Just by exhaling, she might incur the
Inability to protect herself from harm.

Her wish for safety and security was
Granted one day in the
Form of earthbound angels who
Extricated her from her dire,
Debilitating situation, and through
Care and love and patience, Zoey was
Bestowed once again with her rightful
Ability to fully, exhilaratingly exhale.

When It’s Time

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NaPoWriMo, Day 18.

Our optional prompt for the day takes its cue from how poetry can help us to make concrete the wild abstraction of a feeling like grief…

Today, I’d like to challenge you to write an elegy of your own, one in which the abstraction of sadness is communicated not through abstract words, but physical detail. This may not be a “fun” prompt, but loss is one of the most universal and human experiences, and some of the world’s most moving art is an effort to understand and deal with it.

When It’s Time

I wonder how they know.
They make the call.
It’s time to come.
But how do they know?

He’s been gone for years already.
The memory, the recognition, and —
eventually — even the words.

But now he lies here, eyes closed,
erratic breathing, pale skin.
The phrase “death warmed over”
comes (irreverently) to mind.

Still, how do they know?
Mightn’t he wake up tomorrow with
that good-humored sparkle in his eye
and say something silly?
“You’ve grown so tall now;
your legs go all the way down to your feet!”

No, of course not. But still…

His skin is hot.
His breathing is ragged.
I expected clammy and shallow,
respectively.

I kiss his forehead, pat his hand.
I feel embarrassed that I don’t know what to say,
even though he can’t hear me.

I don’t say goodbye, because —
well — he’s still here. For now.
Then again, as I said before,
he’s been gone a long time already.

I wonder how they know.

Matchless

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NaPoWriMo, Day 17. Due to the demise of my computer, my muse has been forced to sit silent for this past week. But we’re back!

Today’s prompt:

Write a poem that presents a scene from an unusual point of view.

flame

Matchless

Rrrrtch tssss whooos.
Match strikes to life.
Sulfurous head turns black,
then glows orange-red.
Blue flame encircles the head,
turning yellow as it reaches upward.

Match touches wick.
Wick resists, but then
accepts the flame with a
complaining sizzle and pop.

Flame dances brightly to the
rhythm of an invisible breeze.
Wispy white smoke coils up and away.

There’s warmth in the watching,
shadows chiseled by the light,
danger cloaked in tenuousness.

And then, Pifft!
Match is extinguished, and all that is left
is that copycat flame perched ridiculously
atop a flimsy wick and weaving like a drunk parakeet.

NaPoWriMo, Day 17

Things People Say

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Day Nine of NaPoWriMo.

Today’s prompt is inspired by the work of Sei Shonagon, a Japanese writer who lived more than 1000 years ago. She wrote a journal that came to be known as The Pillow Book. In it she recorded daily observations, court gossip, poems, aphorisms, and musings, including lists with titles like “Things That Have Lost Their Power,” “Adorable Things,” and “Things That Make Your Heart Beat Faster.”

The prompt:

Today, I’d like to challenge you to write your own Sei Shonagon-style list of “things.” What things? Well, that’s for you to decide!

And so:

Things People Say

“I understand.” A phrase often misunderstood.
If one truly understands,
there are many more effective ways to say so.
Better yet,
illustrate the understanding through actions.
Show, don’t tell.

“Are we there yet?”
Often responded to with a white lie:
“Almost.”
If one feels compelled to ask, the answer is
most likely “no.”

“I love you.” Best said when true.
Often withheld until one’s paramour has said it first.
Show, but also tell.

“Thank you.” Not said often enough.
Tell, and show,
at minimum seventeen times per day.

Crash for Cash

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Day Eight of NaPoWriMo. The prompt:

Today, I’d like to challenge you to think about the argot of a particular job or profession, and see how you can incorporate it into a metaphor that governs or drives your poem.

I’ll let the phrase “crash for cash” drive my poem.

traffic 2

Crash for Cash

Put pedal to the metal,
don’t let them get away.
Faster than fast, hit the gas
if you’re gonna play.

Gotta get ahead now,
catch them in their own lane.
They won’t even know you’ve
beat them at the game.

Don’t give them time to guess;
road rage or reckless chase.
They’ll let you lead the way,
they’ll settle for second place.

Not here to win the race,
you’re here to get the prize.
Slam on the brakes, let them
hit you in the backside.

**> ~ ~ <**

They’ll say it’s your fault.
You’ll say it’s whiplash.
They say they’ll sue you.
You say you’ll take cash.

It’s how the race is run,
not about who wins the race.
Wanna know what I think?
It’s all about who sets the pace.

If and When

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Day Six of NaPoWriMo. The prompt:

Today, we’d like to challenge you to write a poem of the possible… not on what has happened, or what will happen, but on what might happen if the conditions are right. Today, write a poem that emphasizes the power of “if,” of the woulds and coulds and shoulds of the world.

If that’s what you want, I guess I could do that:

oceanside

If and When

If
you got to work in the early morning and began wondering what time I would rise from bed and what I might make for breakfast and whether I preferred my eggs scrambled or poached and did I sit at the kitchen table with the newspaper as I ate or maybe on the porch swing so I could smell the spring flowers,

would you call me and ask?

If
I wondered what you were thinking as you gazed silently out the car window on those hot summer days when we drove through the valley with the fields full of big round hay bales that remind me of cinnamon rolls,

would you tell me when I asked?

If
we walked together along the beach in the waning hours of a warm autumn day and spoke of our dreams and hopes and fears and those silly notions that pop into our minds sometimes or the songs that get stuck in our head all day or what we like most about Sunday mornings,

what might happen then?

When
winter comes, perhaps we can sit at home before a warm hearth, enjoying one another’s company, comfortable in our answers,

no questions asked.

If Only

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Day Five of NaPoWriMo. Lots of choices for the prompt today. I chose to write a villanelle, which is defined as such:

The classic villanelle has five three-line stanzas followed by a final, four-line stanza. The first and third lines of the first stanza alternately repeat as the last lines of the following three-line stanzas, before being used as the last two lines of the final quatrain.

Clear as mud? I thought so, too. But I gave it a go anyway.

woods1

If Only

If we only had the time –
just imagine if you would –
all the mountains we could climb.

Wouldn’t it be fine?
Leisured strolls in shaded woods
if we only had the time?

If we let the years unwind,
wove the hard times with the good,
all the mountains we could climb.

We’d pick peaches in their prime,
dine beneath the cottonwoods
if we only had the time.

If we heard the clock bells chime,
left our worries where they stood,
all the mountains we could climb!

How might our futures be defined
if we only understood?
If we only had the time,
all the mountains we could climb.

Also posting on dVerse, where the poem form for the month is the villanelle.