On Time

time2

Who invented time?

I mean, really…
before there were calendars and watches
and birthdays and scheduling apps and
• b
• u
• l
• l
• e
• t

journals,

who decided we need to slice and dice our days and
months and years into the confines of linear numbers?

The planets and suns and moons
run circles around one another on a fairly regular basis.
They do not, however, march on like time.

Circles, cycles, ellipses, eclipses…
It is humans, not nature, who love to be linear.
We wait in lines to catch the bus, because buses must run on time.
We meet deadlines to stay timely,
read headlines to keep up with the times,
string power lines to serve the demands of modern times,
post bylines, because it’s about time we got credit for our work.

There’s no time like the present.
Time is on our side.
Time stands still for no one.

What would happen if we all became timeless?
I guess only time would tell.


dVerse Poetics: Time and What If? 

The Big Reveal

It is weeks in the making. First the design is conceived, drawn and copied for a pattern to attach to the worktable. Glass is selected by color, texture, opacity… or sometimes simply availability and affordability. The glass is cut, ground and sized until each piece fits perfectly into the pattern. Individual pieces are wrapped with leading, lead joints soldered together, then putty is worked under the lead for stability and waterproofing. Cleaning is done in place with a bristle brush and whiting powder. Then, the wait.

The putty takes three days to set. Twice daily the artisan cleans off any putty that seeps  from beneath the lead. She notices where she applied too much solder. Or too little. She guiltily surveys a piece she had cut too small but used anyway, knowing she could fudge with lead or putty to hide the gap. She second-guesses her glass choices. Will the colors compliment or contrast as she intended? Will the nuances of the design come across as planned?

When the putty is set, it’s time. The artisan lifts the stained glass panel, wipes it clean and rests it gently on a windowsill. She backs away and for the first time gazes upon the completed work. The critical eye judges workmanship, mercilessly and exacting. The artistic eye must wait ‘til the critic quiets. And lastly, the cautious heart will weigh in on the worthiness of the piece. The verdict? We’ll have to wait and see.

patience takes patience
minutes take sixty seconds
waiting takes its time

IMG_0059r

“Hammer Shattering Glass Shattering Hammer” stained glass panel by Maggie C.


dVerse Haibun Monday: Waiting

A Sketchy Story

scary

Once upon a stormy night,
it was a dark and dreary time.
Did you hear the one about…
You’re not going to believe this rhyme.

It all begins on Halloween,
this scary tale I’ve yet to weave.
I do not know the ending yet;
it took so long, the start to leave.

I’m sure there’re bats and witch’s brew,
lightning crackling in the sky,
the mournful howls of shrouded souls,
an icy breeze when ghosts glide by.

Something frightening will occur,
a horrid nightmare come to life.
We must escape impending doom.
A curse? a ghoul? a bloodied knife?

Though terror strikes, Good will prevail.
Ghosts disappear with dawn’s first light.
We’ll be forewarned of danger still
in shadows deep on stormy nights.

And so it ends, as all tales do.
The rest is history as they say.
We all live happily ever more.
We live to fight another day.

The details of this scary tale —
as sketchy as they seem to be —
are yours to conjure in your mind
and fill the blanks in as you please.

If any moral lies herein,
I leave that point for you to hone.
The yarns I spin unravel fast.
Collect the threads and weave your own.


dVerse Poetics

Old but New

floor3

I don’t know when the original hardwood flooring was covered with carpet. Times change. Tastes change. A beautiful, gleaming oak floor in the mid-fifties came – over time – to be seen as an outdated, cold, hard to maintain surface. Carpets – with so many shades and textures to choose from, so warm to the feet on cold mornings, so… modern! – were slapped down right over the top of the oak floors. Adding insult to injury, no one even bothered to use drop cloths when they spray-textured and painted the walls before laying the carpet.

Times change. Tastes change. When I discovered the oak floor beneath the tacky, cheap, outdated carpet, I was delighted! Scratches, minor water stains, tack and staple holes give it charm and character to my eye. I will not revive it to its pristine 1955 condition. I will clean it up and let it blend in with the industrial chic vibe of other rooms in the house.

Times change. Tastes change. A new homeowner will come along some day. They won’t see the hardwood floors as the treasure that I do. They’ll likely wonder why I exposed the cold, outdated eyesore of distressed wood flooring. They’ll cover it with god-only-knows what. Hopefully, as the transition from trend to trend and back again continues, the stalwart wood will at least be given the courtesy of a drop cloth. Is that too much to ask?

autumn turns to fall
transitioning to itself
changed yet unchanging


Haibun Monday – Transitions 

Rodent Robbers

Snap! smacks the mouse trap,
as the spring is spryly sprung.
The trap slaps shut with a jolt abrupt.
Now the deadly deed is done.

Wheeze! breathes the brave mouse,
as she gasps to grasp some air.
That’s how it goes when the cheese she chose
is a ploy plied to ensnare.

Voilà! exclaims the vainglorious vole.
“You disdained and disbelieved
that a twig tip-tapped could trip the trap.
Such a clean scheme I conceived.”

Shush! shouts the shaking mouse.
“It was I who death defied.
Put a plug in your pompous prattling
while we partake of our purloined prize.”


dVerse Meet the Bar: Onomatopoeia